September 6, 2016 - March 1, 2017
OPEN Monday to Friday from 9 to 5pm
Large scale projections of La vida nueva and Verás un mar de piedras are scheduled every Tuesday from 4.30-6pm.
ARTS@DRCLAS, in collaboration with Prof. Sergio Delgado Moya from the Department of Romance Languages and Literatures, proposes an installation of poems by the celebrated Chilean poet Raúl Zurita, a foremost figure of contemporary Latin American literature
The poems selected for EL HAMBRE DE MI CORAZÓN are representative of Raúl Zurita's larger body of work: poetry that broaches themes of pain, death, redemption, and hope. The writing of poetry in landscapes across the Americas – from the skies of New York (La vida nueva) to the desert of Atacama in Chile (Ni pena ni miedo) – is the departure point for this exhibition. In walls and nooks scattered through the offices of the David Rockefeller Center for Latin American Studies at Harvard, we showcase the work of one of the most resonant voices in poetry from the Americas, temporarily placing it in the heart of a dynamic center of scholarship in a style and proportion that plays on the monumentality of Zurita's landscape poems.
Zurita forms part of a living hemispheric tradition that subverts picturesque notions of landscape in favor of more nuanced, historically informed, politically incisive renditions of the natural environment. Chilean artists and writers have been at the forefront of this politicized understanding of landscape, re-inscribing it in ways that make apparent the traces of conflict and violence so often erased from the more idealized, more pastoral renditions of nature.
A layered notion of landscape is present from the very first works by Zurita (“Un matrimonio en el campo”), epigrammatic and somberly visual poems printed on plaster slates resembling tombstones. These and other poems by Zurita use beautifully terse language to give voice to the experience of political oppression: voice to the people, the communities, and the natural environments that have succumbed to state violence. The poems in the present exhibition, while evocative of the military dictatorship in Chile, are written in a voice universal enough to conjure other instances of state oppression, both past and present, distant and close to home.
Biography: Raúl Zurita (1950) is among the most celebrated, and decorated, living Latin American writers. During the Chilean dictatorship that lasted from 1973 to 1990, Zurita published a trilogy of books (Purgatory, Anteparadise, and The New Life), and helped to form the art collective CADA (Colectivo de Accion de Arte) that used performance as an act of political resistance. He is a Professor at the Universidad Diego Portales, Chile, and has been a Visiting Professor at Tufts University and California State University, Long Beach. Zurita was DRCLAS' RFK Visiting Scholar during Spring 2016 and taught the course Poetry, Art and Adversity, in the Department of Romance Languages and Literatures.
The academic programming that will accompany the exhibition (scheduled for October 2016) will include a poetry reading and and workshop with students from the Department of Romance Languages and Literatures. The artist will also participate in an academic panel and performance related to the research project Conceptual Stumblings and associated with the exhibition Embodied Absence on view at the Carpenter Center for Visual Arts.
Photography: Guy Wenborne / www.guy.cl / @guywenborne